LOS ANGELES ― On November 2, 2025, the Norris Theatre at the Palos Verdes Performing Arts Center hosted a grand celebration as Yamatogaku USA commemorated its 25th anniversary.
The afternoon unfolded with the venue transformed into a space honoring both tradition and innovation, spotlighting Yamatogaku—a musical form that blends the classical techniques of Edo-period shamisen with Western harmonies, creating a modern musical experience rooted in Japanese tradition.
More than fifty local performers joined forces with five acclaimed artists from Japan, delivering a five-hour musical celebration that showcased the depth and breadth of this distinctive art form.
Distinguished Guests
The event welcomed distinguished guests from Japan. Among them were Yamato O-Sho, the third-generation iemoto (head) of the Yamatogaku school, along with renowned artists Yamato Michiju, Yamato Hisayoshiko, Katada Kisaku (fourth-generation hayashi percussionist), and Tosha Suiho (flute). The proceedings were guided by actress Hattori Mako, who served as master of ceremonies.
The Local Leaders
At the core of the concert were three Los Angeles-based instructors: Yamato Shoho, Yamato Yasoyo, and Yamato Kyosho. Their dedication to nurturing the next generation was evident, with several students—known as natori—receiving their credentials over the years. These local leaders, alongside their students, have been instrumental in establishing and sustaining the Yamatogaku tradition in the United States.
Stage Production
The production itself was a visual and auditory delight. New York-based graphic artist Travis Suzaka (Yamato Kyoto) designed digital backdrops that seamlessly blended classical and contemporary aesthetics. Yamato Kyoichiro constructed an authentic kuromisu (black screen) set within a striking gold-colored wall on the stage left. This screen allows the hayashi musicians to remain hidden from the audience’s view while still being able to see the stage and performers, enabling them to maintain perfect timing and coordination.
The Program
The concert opened with “Shiki no Hana” (Flowers of Four Seasons), featuring all 24 musicians, establishing the evening’s ambitious scope. The centerpiece, “Sakurabune” (Cherry Blossom Boat), composed by Yamato O-Sho, was a unique collaboration that blended traditional Japanese instruments—shamisen, koto, and kotsuzumi (shoulder drum)—with the Western flute of Boston-based musician Joseph Monticello (Yamato Josho), symbolizing the harmonious fusion that defines Yamatogaku.
Dance took center stage as well, with “Sanjikoku no Yofune” (The Big Ship at Night) performed by Bando Hidesomi, and “Mai” (Dances of Nature) brought to life by Bando Hiromiya and her ensemble.
A Triumphant Conclusion
The evening reached its emotional peak with “Sunabikiso no Hana,” a stirring finale that united the guest artists from Japan, the three Los Angeles-based instructors and their students in a powerful display of musical and cultural harmony. A lively raffle concluded the celebration, leaving attendees with lasting memories and a renewed appreciation for the power of cultural connection.